The speech-to-text engine in Premiere Pro is designed to allow you to create subtitles and closed captions. Other users are warned when they attempt to update that there will be conflicts, but they’ll be able to publish their changes as a new sequence, available to the team. If two or more users happen to be offline editing on the same sequence, the first person to push their changes has them applied. These edits can then be checked in and applied once an internet connection becomes available. Any changes you make to the sequence will be saved locally as a copy of the sequence. This is designed for those editing in teams for when they need to work without internet access – perhaps on a flight or train journey. It’s enabled by default, although you can disable it if you wish. It supports iPhone HLG, various Log formats (including S-Log, C-Log and V-Log), as well as other HDR formats, such as HLG colour space. The automatic tone mapping feature is designed to allow you to mix and max footage from multiple sources, both standard and high dynamic range, and mix them together seamlessly to fit in a Rec.709 colour space.
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